2007 PROFILES
 
 2006 PROFILES
 
 WINTER 2005 PROFILES
  1934 FORD TUDOR
  2004 INFINITY G35
  JESSE JAMES CHOPPER
  1998 CHEVROLET ZR71
  1970 DODGE CHALLENGER
 FALL 2005 PROFILES
  1946 CHEVROLET MODEL 1300
  1993 HONDA CIVIC PRELUDE
  1939 FORD REPLICA
  1981 CAMARO Z28
  1998 HARLEY-DAVIDSON
 SUMMER 2005 PROFILES
  2002 FORD MUSTANG GT
  1995 PONTIAC SUNFIRE
  2004 DODGE RAMBURBAN
  1953 CHEVROLET CORVETTE
  2005 LURID CHOPPER
 SPRING 2005 PROFILES
  1949 FORD
  2001 FORD FOCUS ZX3
  1969 PONTIAC GTO
  2002 CHEVROLET S10
  2004 BAD ASS CHOPPER
 2004 PROFILES
 
 BAD ASS : If you want something done right you have to do it yourself
 

STORY: Matt Mansfield
PHOTOGRAPHY: Ian McCausland

Childhood experiences echo over a lifetime. As a child, Rick Osborne watched his grandfather manipulate metal with nothing more than a hammer and a dolly. Those founding impressions led to a 20-year career in bodywork and one Bad Ass Chopper. The Bad Ass concept came to Osborne as his lifelong fascination with motorcycles matured. "I've always been on bikes since I was a kid, from dirt bikes to street bikes," Osborne recalled. "I was into faster bikes when I was younger and now I wanted a cruiser style, something I wouldn't hurt myself with," he joked.

 

 

 

The pursuit of a custom cruiser took hold of Osborne two years ago. He began by assembling a custom cycle from components he purchased. However, this would only serve as a warm-up. He sold the bike as soon as the snow fell. Osborne desired a machine that was customized from his mind, through his hands and not by catalog.

"I wanted a chopper and I wanted something that would look super clean," Osborne summarized. "I wanted the whole thing to flow from one end to the next."

Osborne began by outsourcing the frame fabrication to an American shop. Despite investing significant time into research and references, it was not without hesitation that he entrusted his specifications to another's hands. "You have to put your trust into someone at that point," he said. "That's the hardest part."

His trust rewarded and the frame delivered, Osborne went on to fabricate many of the components of the bike from blank metal with hammer and dolly just as he had witnessed his grandfather do. The eight-month process was an expression of both Osborne's admitted limitations and his abilities.

"It's hard for me to tell someone else what I would want. With metal I can create anything. But to try to draw what I want to create, forget it," he said. "I know what it looks like in my head so I just build it until it looks like what I want."

While the fender took the most amount of work, the handlebars went through the most variations. Osborne experimented with a variety of curves and spikes before finding the right fit for the bike. "I was trying to make them look too fancy," Osborne concluded. "In the end, the simplest design is the one I liked the best and suited the bike the best."

Osborne's custom fabrication and custom paint all combine to draw attention to the focal point of the bike; the engine. "The motor is such a focal point of the bike I wanted to show it off," he said. "The motor looks so good when it's all polished and chromed, I wanted to show as much of it as I could. I don't like hiding it, it's the heart of the bike."

The build was completed last October, yielding only a week's worth of riding before the snow fell. But for Osborne, the true thrill of the bike comes in the build and not in the ride. He is already planning on perhaps parting with Bad Ass and setting to toil on a new project.

"The building part of it is what I enjoy. I need to create something. I can't draw, I can't paint by brush, it's my artistic side coming out."


 
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